According to Gateway Pundit, late-night host Jimmy Kimmel used his ABC platform to launch a sneering monologue targeting President Trump’s newly confirmed Secretary of Homeland Security, Markwayne Mullin, ridiculing his blue-collar résumé rather than engaging with his record. In his segment, Kimmel mocked Mullin’s past, describing him as a “low-level MMA fighter and a plumber” before his election to the U.S. Senate, a line delivered with the kind of smug contempt that has become standard fare on network late-night television.
Kimmel framed Mullin’s appointment as part of a broader caricature of President Trump’s personnel choices, quipping, “Rudy Giuliani might not be with us much longer, but don’t worry—Trump’s got a whole new generation of thinkers lined up, including his newly confirmed Secretary of Homeland Security, Markwayne Mullin…” He continued, “He is the now-former senator of Oklahoma. Before he was elected to the Senate, Markwayne Mullin was a low-level MMA fighter and a plumber.”
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The ABC host then escalated the mockery, jeering, “That’s right—we have a plumber protecting us from terrorism now. Oh, it worked for Super Mario, why not Markwayne? But honestly, I mean, if Trump is going to keep picking these unqualified people to run the department, why not have more fun with it? I mean, next time, instead of Markwayne, how about Lil Wayne for Homeland Security? At least we could get a concert out of it, right?” He also took a swipe at Mullin’s predecessor, adding, “Mullin is replacing Kristi Noem, who was ousted three weeks ago—and will never be seen again.”
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The backlash from those who actually understand and respect working-class America was swift. Tricia McLaughlin, former Assistant Secretary for Public Affairs at the DHS, responded pointedly, writing, “A plumber likely makes a heck of a lot more than the producer who wrote this ‘joke.’ The elitism is so grating.”
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Kimmel’s routine is especially galling given the left’s constant self-congratulation over its supposed solidarity with “working people,” while celebrating figures such as Alexandria Ocasio-Cortez, the ex-bartender turned socialist congresswoman, or Zohran Mamdani, the unemployed aspirant “rapper” known as Mr. Cardamom before entering New York politics. The contrast is stark: when conservatives elevate someone with a real-world trade and a record of service, Hollywood mocks; when progressives do it, the media hails them as authentic folk heroes.
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The episode underscores why so many Americans have tuned out coastal entertainers who sneer at the very people who keep the country running. The Hollywood elites can keep their jokes; the American people will take the plumber over a “so-called comedian” any day of the week.
